Wednesday, January 14, 2015

Into the (Cinematic) Woods



Hello.

So last June on my yearly trip to Ashland, Oregon for the Shakespeare festival, I had the pleasure of seeing the musical Into the Woods, a mashup of several different fairytales into a cautionary tale about wishes and the consequences that can happen from them coming true.  It was a delightful experience, one of the highlights of the trip.

Well, I soon found out Disney was bringing the musical to the big screen with some big names.  My curiosity was piqued.  I was wondering how they were going to bring a 3 or so hour musical to the silver screen; what would be cut, what would be changed, etc.  Well, after seeing it, I can now tell you.  I in general will keep it as vague as possible for those who have seen neither.

If I had to describe the film with one word it would be this:  condensed.  I will give them credit; more was kept than I thought would be.  And to be fair, the condensation actually helped the story in a few parts, particularly in regards to the Baker and his wife’s story arc.  But even with this they still had to cut, and while some you don’t notice, more of it suffers due to it.

First, they cut out the story arc of the Narrator.  Yes, it is still narrated, but the fourth wall breaking that concerns him is no longer in existence, which was a pity since beside narration, the Narrator was there to show that no one was safe in the story.  Also, they cut almost all of the Baker’s father role in the film too.  This at first seems wise since he wasn’t a main character and most of his actions could be given to other individuals.  The problem is they kind of forgot to do that for some of what he did, which led to some questions, mainly in the first part of the tale, particularly when it came to the cow and how the Baker ended up with the corn.  (Not spoiling anything here to say the Father (in disguise) gives the Baker the corn to help find the cow after she wanders off.  Seems trivial at first, but the corn becomes very important in the story…)

Two other characters whose story arcs are truncated are the second prince and Rapunzel.  The second prince I can kind of understand, since most of his story arc could be accomplished with the main prince, since they end up about the same, although because of this some rather humorous scenes are omitted which is a pity.  But Rapunzel’s arc was drastically changed and her purpose in the story altered as well.  It’s kind of hard to talk about this without revealing anything, so I will just say this:  she was in to ultimately be a condemnation of the Witch, which in both versions are accomplished, but it was done in the movie in such a way that defied a lot of the themes the musical was trying to tell.

The third biggest change, and the one least noticeable, was with the Big Bad Wolf and Red Riding Hood.  Disney being Disney, they couldn’t have the sequence appear TOO unseemly, so they removed a lot of the sexual undertones out.  While sad, it’s not something to important for the tale, so not a big deal in the end.  There are other changes as well, but you wouldn’t notice them if you have never seen the musical.

So would I recommend this film to others to see?  You know, I would.  It’s not a bad effort, just that if you go into without some foreknowledge it may seem a bit of a whirlwind.  It does what it is supposed to do, it is just tightly packed.  It becomes a bit difficult to sort out what is happening, and some scenes are not as well done as others, which can lead to some confusion.  But ultimately it’s not a bad film, and it passes the time nicely enough. 

If you love musicals or fairy tales you could do far worse…

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